The work of the philosopher-poet Rocío Ágreda Piérola is full of ghostly
traces, smudged lines from the past turned with care into new forms
through references to writers like Héctor Viel Temperley and Dante,
rewritings of Biblical verses, redraftings of personal memory, and
forays into history with the Spanish conquistadors. In Horses Drawn
with Blue Chalk, Ágreda Piérola's sensuous language is populated by
animals (hyenas, wolves, birds, cats, shoals of fish), parts of the body
(the tongue, the nervous system), and the physical stuff of childhood
(those horses drawn with blue chalk, erased from the wall yet forever
archived in memory, to be drawn and redrawn). The questions here of how
to create meaning from solitude and silence do not rely on any facile
premade identities or autobiographical intimacies, but seek constantly
to unsettle the known, challenging given truths to forge a meaningful
communication.
This is #16 in UDP's Señal series for contemporary Latin American
poetry.