Burlesque was a cultural threat, Allen argues, because it inverted the
"normal" world of middle-class social relations and transgressed norms
of "proper" feminine behavior and appearance. Initially playing to
respectable middle-class audiences, burlesque was quickly relegated to
the shadow-world of working-class male leisure. In this process the
burlesque performer "lost" her voice, as burlesque increasingly revolved
around the display of her body.
Locating burlesque within the context of both the social transformation
of American theater and its patterns of gender representation, Allen
concludes that burlesque represents a fascinating example of the
potential transgressiveness of popular entertainment forms, as well as
the strategies by which they have been contained and their threats
defused.