Ultimately, the lyrics in Hoodwinked read as odes to mortality. They
marvel nonstop, unsentimentally, and with necessary ambivalence, at the
world as given and the human inability to consistently rise to the
exhausting challenge of making every second count. These poems
constantly acknowledge that 'all flesh is grass.' They make us hear the
wondrous, terrifying hum of impending obliteration, while at the same
time never growing immune to beauty, never ceasing to be curious about
what the grass itself makes of our common temporal conundrum.
--Amy Gerstler, from the introduction
Inherent untrustworthiness--of received opinion, the trompe l'oeil
deceptions of nature, and the workings of our own unfaithful minds--is
given its proper menace in David Hernandez' Hoodwinked. In poems that
range from the backyard to Iraq and back again, Hernandez disturbs the
surface of contemporary life to reveal barely submerged worlds that,
impossible to fathom, make fools of us all.