"Dissanayake argues that art was central to human evolutionary
adaptation and that the aesthetic faculty is a basic psychological
component of every human being. In her view, art is intimately linked to
the origins of religious practices and to ceremonies of birth, death,
transition, and transcendence. Drawing on her years in Sri Lanka,
Nigeria, and Papua New Guinea, she gives examples of painting, song,
dance, and drama as behaviors that enable participants to grasp and
reinforce what is important to their cognitive world."--Publishers
Weekly"Homo Aestheticus offers a wealth of original and critical
thinking. It will inform and irritate specialist, student, and lay
reader alike."--American AnthropologistA thoughtful, elegant, and
provocative analysis of aesthetic behavior in the development of our
species--one that acknowledges its roots in the work of prior thinkers
while opening new vistas for those yet to come. If you're reading just
one book on art anthropology this year, make it hers."--Anthropology and
Humanism