Casey Dué examines the figure of Briseis, the concubine of Achilles in
theIliad, as an example of the traditional artistry enabled by a complex
and self-contained oral poetic system. Briseis' lament for Patroclus
inIliad 19 hints at her role in the larger epic tradition. Dué argues
that Briseis' role in theIliad is enormously compressed, both in
relation to theIliad and the entire tradition of the epic cycle. Through
a close reading of Homeric passages, Homeric Variations on a Lament by
Briseis shows how theIliad refers to expanded and alternative traditions
about Briseis even while asserting its own version of her story. It
seems likely that there were at least two variations on the story of
Briseis, because of the two-fold pattern she fulfills in ancient
references. In one variation she is a wife whose husband is killed by
Achilles in the sack of his city; in another she is an unmarried girl,
the daughter of a king, whose father is killed when Achilles captures
her town. OurIliad alludes to multiple variations on these two basic
themes.