This book casts new light on the work of the German poet Friedrich
Hölderlin (1770 - 1843), and his translations of Greek tragedy. It shows
Hölderlin's poetry is unique within Western literature (and art) as it
retrieves the socio-politics of a Dionysiac space-time and language to
challenge the estrangement of humans from nature and one other.
In this book, author Lucas Murrey presents a new picture of ancient
Greece, noting that money emerged and rapidly developed there in the
sixth century B.C. This act of monetization brought with it a concept of
tragedy: money-tyrants struggling against the forces of earth and
community who succumb to individual isolation, blindness and death. As
Murrey points out, Hölderlin (unconsciously) retrieves the battle
between money, nature and community and creatively applies its lessons
to our time.
But Hölderlin's poetry not only adapts tragedy to question the unlimited
"machine process" of "a clever race" of money-tyrants. It also draws
attention to Greece's warnings about the mortal danger of the eyes in
myth, cult and theatre. This monograph thus introduces an urgently
needed vision not only of Hölderlin hymns, but also the relevance of
disciplines as diverse as Literary Studies, Philosophy, Psychology
(Psychoanalysis) as well as Religious and Visual (Media) Studies to our
present predicament, where a dangerous visual culture, through its
support of the unlimitedness of money, is harming our relation to nature
and one another.
"Here triumphs a temperament guided by ancient religion and that
excavates, in Hölderlin's translations, the central god Dionysus of
Greek tragedy."
"Lucas Murrey shares with his subject, Hölderlin, a vision of the Greeks
as bringing something vitally important into our poor world, a vision of
which few classical scholars are now capable."
-Richard Seaford, author of Money and the Early Greek Mind and
Dionysus.
"Here triumphs a temperament guided by ancient religion and that
excavates, in Hölderlin's translations, the central god Dionysus of
Greek tragedy."
-Bernhard Böschenstein, author of "Frucht des Gewitters". Zu
Hölderlins Dionysos als Gott der Revolution and Paul Celan: Der
Meridian.
"Lucas Murrey takes the god of tragedy, Dionysus, finally serious as a
manifestation of the ecstatic scream of liberation and visual strategies
of dissolution: he pleasantly portrays Hölderlin's idiosyncratic poetic
sympathy."
-Anton Bierl, author of Der Chor in der Alten Komödie. Ritual and
Performativität
"Hölderlin most surely deserved such a book."
-Jean-François Kervégan, author of Que faire de Carl Schmitt?
"...fascinating material..."
-Noam Chomsky, author of Media Control and Nuclear War and
Environmental Catastrophe.
