Film historian James Chapman has mined Hitchcock's own papers to
investigate fully for the first time the spy thrillers of the world's
most famous filmmaker. Hitchcock made his name as director of the spy
movie. He returned repeatedly to the genre from the British classics of
the 1930s, including The 39 Steps and The Lady Vanishes, through wartime
Hollywood films Foreign Correspondent and Saboteur to the Cold War
tracts North by Northwest, Torn Curtain and his unmade film The Short
Night. Chapman's close reading of these films demonstrates the
development of Hitchcock's own style as well as how the spy genre as a
whole responded to changing political and cultural contexts from the
threat of Nazism in the 1930s and 40s to the atom spies and double
agents of the post-war world.