German film is diverse and multi-faceted; its history includes five
distinct German governments (Wilhelmine Germany, the Weimar Republic,
the Third Reich, the Federal Republic of Germany, and the German
Democratic Republic), two national industries (Germany and Austria), and
a myriad of styles and production methods. Paradoxically, the political
disruptions that have produced these distinct film eras, as well as the
natural inclination of artists to rebel and create new styles, allow for
the construction of a narrative of German film. While the disjuncture
generates distinct points of separation, it also highlights continuities
between the ruptures. Outlining the richness of German film, the
Historical Dictionary of German Cinema covers mainstream, alternative,
and experimental film from 1895 to the present through a chronology,
introductory essay, appendix of the 100 most significant German films, a
bibliography, and hundreds of cross-referenced dictionary entries on
directors, actors, films, cinematographers, composers, producers, and
major historical events that greatly affected the direction and
development of German cinema. The book's broad canvas will lead students
and scholars of cinema to appreciate the complex nature of German film.