George Herbert (1593-1633) has come to be one of the most admired of the
metaphysical poets. Though he is a profoundly religious poet, even
secular readers respond to his quiet intensity and exuberant
inventiveness, which are amply showcased in this selection.
Herbert experimented brilliantly with a remarkable variety of forms,
from hymns and sonnets to pattern poems, the shapes of which reveal
their subjects. Such technical agility never seems ostentatious,
however, for precision of language and expression of genuine feeling
were the primary concerns of this poet, who admonished his readers to
"dare to be true." An Anglican priest who took his calling with deep
seriousness, he brought to his work a religious reverence richly allied
with a playful wit and with literary and musical gifts of the highest
order. His best-loved poems, from "The Collar" and "Jordan" to "The
Altar" and "Easter Wings," achieve a perfection of form and feeling, a
rare luminosity, and a timeless metaphysical grandeur.