This is a historical critique of Henry James in relation to
nineteenth-century feminism and women's fiction. Habegger has brought to
light extensive new documentation on James's tangled connections with
what was thought and written about women in his time. The emphasis is
equally on his life and on his fictions. This is the first book to
investigate his father's bizarre lifelong struggle with free love and
feminism, a struggle that played a major role in shaping James. The book
also shows how seriously he distorted the truth about the cousin, Minnie
Temple, whose self-assertive image inspired him; and how indebted he was
to certain American women writers whom he attacked in reviews but whose
plots and heroines he appropriated in his own fiction.