This is a series of studies of individual operas written for the
opera-goer or record-collector as well as the student or scholar. Each
volume has three main concerns: historical, analytical and
interpretative. There is a detailed description of the genesis of each
work, the collaboration between librettist and composer, and the first
performance and subsequent stage history. A full synopsis considers the
opera as a structure of musical and dramatic effects, and there is also
a musical analysis of a section of the score. The analysis, like the
history, shades naturally into interpretation: by a careful combination
of new essays and excerpts from classic statements the editors of the
handbooks show how critical writing about the opera, like the production
and performance, can direct or distort appreciation of its structural
elements. A final section of documents gives a select bibliography, a
discography, and guides to other sources. Each book is published in both
hard covers and as a paperback.