The turn of the millennium has heralded an outgrowth of culture that
demonstrates an awareness of the ephemeral nature of history and the
complexity underpinning the relationship between location and the past.
This has been especially apparent in the shifting relationship between
landscape, memory and sound in film, television and other media. The
result is growing interest in soundtracks, as part of audiovisual
culture, as well as an interest in the spectral aspects of culture more
generally.
This collection of essays focuses on audiovisual forms that foreground
landscape, sound and memory. The scope of inquiry emphasises the ghostly
qualities of a certain body of soundtracks, extending beyond merely the
idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic
haunting is tied to ideas of trauma, anxiety or nostalgia associated
with spatial and temporal dislocation in contemporary society.
Touchstones for the approach are the concepts of psychogeography and
hauntology, pervasive and established critical strategies that are
interrogated and refined in relation to the reification of the spectral
within the soundtracks under consideration here.