This study examines Hardy's prolonged struggle with his contemporary
readers, whose bourgeois values he despised. Initially content to
compromise, to provide them with congenial entertainment, Hardy resorted
at first to strategies of subversion, smuggling material past his
editors and finally to outspoken attack. Professor T. R. Wright attempts
to balance historical research into the response of 'actual' readers and
the material conditions of publishing with literary-critical analysis of
the 'implied' reader inscribed in the novels themselves.