In Half/Mask, Roger Mitchell goes in search of the magic that remains
when the world is stripped down to an inhospitable beauty. Many of these
starkly lyrical poems explore the human and natural communities found on
tundra and borrow freely from the great narrative and sculptural
traditions of the Inuit and other rugged people who have learned to live
intensely under challenging conditions. Whether in the High Arctic or in
different places where human life . . . has a loose fit, Mitchell
discovers a land rich in imagery and metaphor for describing experience
at a fundamental level, out at the edge of what we can know: Alone and
far away, remote, a step / or two beyond human, real being. An effort to
understand and sympathetically inhabit the earth drives these poems,
even in the barren isolation of their settings, and gives to Half/Mask
its emotional resonance.