Since the late 1980s, Hal Hartley has challenged standards of realist
narrative cinema with daring narrative constructions, character
development, and the creation of an unconventional visual world. In this
pioneering critical overview of his work and its cultural-historical
context, Mark L. Berrettini discusses seven of Hartley's feature films,
including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry
Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories
of representation, narrative and genre, and cinema history, Berrettini
discusses the absurdist-comedic representation of serious themes in
Hartley's films: impossible love, coincidence and human relations,
extreme isolation, and the restrictions posed by gender norms. He looks
at the films' consistently absurd tone and notes how these themes
reappear within framing narratives that shift from the seemingly mundane
in Hartley's earliest works to the vibrantly creative and fantastic in
his later films. Employing close analysis and theories related to
cinematic narrative and to realism, the book's critical appraisal of
Hartley's films considers aspects of American independent cinema and
postwar European cinema, antirealism, and minimalism. The volume
concludes with a pair of in-depth interviews with the director from two
distinct points in his career.