The subject of this book is the semantics of symphonic music from
Beethoven to Mahler. Of fundamental importance is the realization that
this music is imbued with non-musical, literary, philosophical and
religious ideas. It is also clear that not only Beethoven, Schubert and
Bruckner were crucial role models for Mahler, but also the musical
dramatist Wagner and the programmatic symphony composers Berlioz and
Liszt. At the same time a semantic musical analysis of their works
reveals for the first time the actual inherent (poetic) quintessence of
numerous orchestral works of the 19th Century.