The belief that in the United States everyone can achieve whatever they
set their mind onto-if only they work hard enough-is still strong but
rarely comes true. It is actually a dangerous myth since it provides the
basis for blaming the poor for their fate. Filling a critical void, this
study focuses on the depiction of impoverished children and youth of
minority groups, to determine if their portraits pose an exception from
the ideology of hard work and if they could renew debates on the
probability of leaving American poverty solely by means of effort.
Growing Up Poor investigates contributions to American poverty discourse
across four different genres: literary journalism, documentary
photography, fictional literature, and fictional film. By means of
exemplary close readings and selective reviews of the works' reception,
it aims to single out each text's impact on contemporary poverty
discourse.