Humankind has always been fascinated by the world in which it finds
itself, and puzzled by its relations to it. Today that fascination is
often expressed in what is now called 'green' terms, reflecting concerns
about the non-human natural world, puzzlement about how we relate to it,
and anxiety about what we, as humans, are doing to it. So called green
or eco-criticism acknowledges this concern.
Greenery reaches back and offers new readings of English texts, both
known and unfamiliar, informed by eco-criticism. After considering
general issues pertaining to green criticism, Greenery moves on to a
series of individual chapters arranged by theme (earth, trees, wilds,
sea, gardens and fields) which provide individual close readings of
selections from such familiar texts as Malory's Morte D'Arthur,
Chaucer's Knight's and Franklin's Tales, Sir Gawain and the Green Knight
and Langland's Piers Plowman. These discussions are contextualized by
considering them alongside hitherto marginalized texts such as lyrics,
Patience and the romance Sir Orfeo. The result is a study which
reinvigorates our customary reading of late Middle English literary
texts while also allows us to reflect upon the vibrant new school of
eco-criticism itself.