With the arrival of Mozart, opera at last came fully alive. Discarding
the masks of Greek drama, as it were, for individuals with recognizable
personalities, he saw the vast possibilities of the operatic form as a
means of creating characters, great and small, who moved, thought, and
breathed musically like real people. He spoke our language, treating
stage life as an everyday arena and looking, commenting, and feeling
with emotions we understand. In the end, it is his wondrous music that
in its depth and variety, its color and wit, gives the composer a
universality that is unique in the long history of music.
Dover's compilation of 36 arias from Mozart's seven theatrical
masterpieces moves from the youthful exuberance of The Abduction from
the Seraglio to the complex, enchanting moral allegory of The Magic
Flute, completed shortly before the composer's death in 1791. Together
with all of the great soprano arias from these works are classic pieces
from Idomeneo, The Marriage of Figaro, Don Giovanni, Così fan tutte,
and *La Clemenza di Tito.
*Reproduced from authoritative early editions, the vocal scores of these
world-famous arias will be a welcome addition to the libraries of all
singers, musicians, and opera lovers.