Deledda, the Nobel Prize winner of 1926, a century ago identified a
psychosociological pathology: the arrested maturation of her male
characters. Throughout her prose, truncated maturity functions as a
psychological undertow, sucking down its suffers and the women who love
them into the depths of fictive drama. Concomittantly she dissects
male-female relationships within the framing leitmotiv of prolonged male
adolescence, undergirded by a woman's boundless tolerance for male
narcissitic despair. Deledda's literary strategy subverts conventional
expectations in surprising ways, as she exposes the inner workings of a
patronistic wolrd where her women can finally wield a fragment of power.