Applying ideas drawn from contemporary critical theory this book
historicizes psychoanalysis through a new, and significant, theorization
of the Gothic. The central premise is that the nineteenth-century Gothic
produced a radical critique of accounts of sublimity and Freudian
psychoanalysis. This book makes a major contribution to an understanding
of both the nineteenth century and the Gothic discourse which challenged
the dominant ideas of that period. Writers explored include Mary
Shelley, Edgar Allan Poe, Robert Louis Stevenson and Bram Stoker.