Jan Gordon proposes that a reviled communicational 'interest' in gossip
and its purveyors be given its proper due in the development of the
novel in Britain. Commencing with Sir Walter Scott's historically
persecuted (but economically and politically necessary) androgynous
voices in caves and concluding with Oscar Wilde's premature celebration
of gossip at the very moment it is transformed from public opinion to
public judgment, the author finds gossip to be both deforming and
shaping nineteenth century 'letters' in surprising ways. Like the
ignominious orphan-figure of nineteenth-century fiction, gossip is the
'unacknowledged reproduction' searching for a political antecedence
which might lend a legitimacy to its often discontinuous testimony, for
a culture historically resistant to obtrusive voices.