The poems of Rebecca Hazelton's contemporary American fantasyland revel
in the constructed realities of movie sets and marriage. Poems reveal
the negotiations of power and performance behind closed doors, between
the sheets, and in contracts and scripts. The collection's three parts
act out how we present ourselves through counterfeits, ornaments, and
distorted self-portraits. Keen, wry, and playful, Hazelton's poems poke
fun at the savagery buzzing underneath life's slicked-back surfaces and
crack the veneer on our most brightly jarring cultural constructions.
She confronts our need to constantly adjust our masks to appease
impossible standards--and our desperate fear of having our true selves
be seen and understood.