WINNER OF THE DEREK WALCOTT PRIZE FOR POETRY
Julia Copus's new collection, Girlhood, is a book of transgressed
boundaries and seductive veneers. Restlessly inquisitive, it exposes the
shifting power balance between things on the verge of becoming and the
forces that threaten to destroy them.
Reading these poems, we have the sense of encountering a series of
filmic installations arranged by episode in a gallery. Lost, censored or
disparaged voices speak out from secluded spaces and moments of hidden
history: from within a professor's office and a deserted department
store; from kitchens, bedrooms, hallways and upstairs windows; through
changing weathers, fidgety shadows and the witching hour.
Girlhood concludes with a sequence set in a psychiatric hospital that
reimagines Jacques Lacan's treatment of his most famous case study,
Marguerite Pantaine. This dramatic meeting of minds has us questioning
who is the more delusional - doctor or patient: like other victims in
this exhilarating new collection, Marguerite may initially appear
vanquished, but a closer look reveals how little of herself she has
really surrendered.