This guide presents a unique collection of critical, analytical, and
documentary essays on Puccini's most popular opera. There are new
studies on the background to Parisian bohemianism (by Jerrold Seigel),
on Puccini's musical language (by William Drabkin), and on the opera's
stage history (by William Ashbrook). Following research in Italian
archives, and a thorough study of the published sources (many of them
previously unknown to modern scholarship), the editors have added
further essays on the genesis of the opera, the structure of the
libretto, and aspects of the work's reception. The book also contains a
brief study of Puccini's working methods as seen through the autograph
score, a full synopsis, discography, many illustrations, and an appendix
of related documents (some published in English for the first time).