Giacometti: Critical Essays brings together new studies by an
international team of scholars who together explore the whole span of
Alberto Giacometti's work and career from the 1920s to the 1960s. During
this complex period in France's intellectual history, Giacometti's work
underwent a series of remarkable stylistic shifts while he forged close
affiliations with an equally remarkable set of contemporary writers and
thinkers. This book throws new light on under-researched aspects of his
output and approach, including his relationship to his own studio, his
work in the decorative arts, his tomb sculptures and his use of the
pedestal. It also focuses on crucial ways his work was received and
articulated by contemporary and later writers, including Michel Leiris,
Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus
engages with energising tensions and debates that informed Giacometti's
work, including his association with both surrealism and existentialism,
his production of both 'high' art and decorative objects, and his
concern with both formal issues, such as scale and material, and with
the expression of philosophical and poetic ideas. This multifaceted
collection of essays confirms Giacometti's status as one of the most
fascinating artists of the twentieth century.