Long overlooked by scholars and critics, the history and aesthetics of
German television have only recently begun to attract serious, sustained
attention, and then largely within Germany. This ambitious volume, the
first in English on the subject, provides a much-needed corrective in
the form of penetrating essays on the distinctive theories, practices,
and social-historical contexts that have defined television in Germany.
Encompassing developments from the dawn of the medium through the Cold
War and post-reunification, this is an essential introduction to a rich
and varied media tradition.