This volume of essays by scholars of German film and culture examines
the relatively neglected German films of the immediate post-World War II
period, the so-called "rubble films." Often seen merely as symptoms of a
particular German malady--the supposed inability to confront the sins of
its immediate past--these films have rarely been examined for their
aesthetic qualities and for what they actually depict about postwar
German life, attitudes, and fears. Placed within the context of German
film history of the postwar period and Allied censorship, the essays
examine both well-known and nearly forgotten films for their narrative
structure, aesthetic strategies, political ideologies, psychological
portraits of damaged adults and orphaned youth, and the nuances of the
history they reveal.