As American classical music struggled for recognition in the
mid-nineteenth century, George Frederick Bristow emerged as one of its
most energetic champions and practitioners. Katherine K. Preston
explores the life and works of a figure admired in his own time and
credited today with producing the first American grand opera and
composing important works that ranged from oratorios to symphonies to
chamber music. Preston reveals Bristow's passion for creating and
promoting music, his skills as a businessman and educator, the respect
paid him by contemporaries and students, and his tireless work as both a
composer and in-demand performer. As she examines Bristow against the
backdrop of the music scene in New York City, Preston illuminates the
little-known creative and performance culture that he helped define and
create.
Vivid and richly detailed, George Frederick Bristow enriches our
perceptions of musical life in nineteenth-century America.