This study considers George Eliot's novels in relation to Dante and to
nineteenth-century Italian culture during the Italian national revival
and shows how these helped shape her fiction. Thompson argues that Eliot
was able to draw selectively on a powerful Risorgimento mythology of
national regeneration and that her engagement with the work of Dante
Alighieri increases steadily in her later novels, where the Divine
Comedy becomes a sustaining metaphor for Eliot's meliorist vision and
for her theme of moral growth through suffering.