"The painting partisan"--this is the term Cornelius Tittel recently used
to describe Georg Baselitz in a review (November 3, 2021) in Die Welt in
connection with the major retrospective that has just opened at the
Centre Pompidou. For Heiner Müller in a conversation (1991) with
Alexander Kluge, "the partisan, in a modern, a technocratically defined
structure, was like a dog on the highway." And it is within this
outsider status that Tittel sees the artist Georg Baselitz mature over
several decades into a monolith whom "the Académie des Beaux-Arts has
now accepted as the sole German among its members. The sword presented
to him at the formal ceremony was meant to symbolize his immortality. It
was actually no longer needed though." We are pleased to announce,
together with the editors Rainer Michael Mason and Detelv Gretenkort,
that volume IV of the Graphic Works (1989-1992) will be published in
the spring of 2022; it contains works no. 718-1010. Volume III had
already established that Georg Baselitz's graphic oeuvre stands on an
equal footing with his paintings and sculptural work.