This volume catalogues the paintings and drawings that Ludwig Burchard
(1886-1960) gathered under the heading 'Genre Scenes' when planning his
catalogue raisonne of Rubens's oeuvre. Not that Rubens has ever been
thought of as a genre painter in the conventional sense of the term.
Besides, even the individual works assembled here do not accord with the
customary definitions of genre painting, a category of subject-matter
that was introduced relatively late in the history of art. The famous
Garden of Love in the Prado, for example, with its fluttering amoretti,
is more accurately described as an allegory. Even the picture in the
Louvre frequently referred to as the Kermesse clearly does not reproduce
an actual kermis or any other such event as witnessed by the artist, but
is a fictional construct in which precisely observed details are
designed to convey a message that is more symbolic than realistic in
content. Yet no history of genre painting can fail to include Rubens.
His pictures occupy a firm place in the relevant section of any
imaginary museum of European art, whatever strictures the guides to that
museum may apply. The works discussed in this volume belong to the most
famous creations of the painter. They are also among the most personal
of his inventions. Most of them were never sold by Rubens, but remained
in his possession, a circumstance that suggests they should be viewed as
a particular artistic legacy. That is not to say that they did not offer
contemporaries a wide range of possible interpretations unconnected with
the artist's own life. For a historically appropriate interpretation it
is essential to examine closely not only the artistic process of
creation, but also the former contexts of the pictures. Establishing the
most complete provenance possible not only for the primary version of a
composition but for all the various copies plays an important part in
this process.
