Movies about significant historical personalities or landmark events
like war seem to be governed by a set of unspoken rules for the
expression of gender. Films by female directors featuring female
protagonists appear to receive particularly harsh treatment and are
often criticised for being too 'emotional' and incapable of expressing
'real' history. Through her examination of films from the United States,
Europe, Australia and elsewhere, Julia Erhart makes powerful connections
between the representational strategies of women directors such as
Kathryn Bigelow, Ruth Ozeki and Alexandra von Grote and their concerns
with exploring the past through the prism of the present. She also
compellingly explores how historiographical concepts like valour,
memory, and resistance are uniquely re-envisioned within sub-genres
including biopics, historical documentaries, Holocaust movies, and
movies about the 'War on Terror'. Gendering History on Screen will make
an invaluable contribution to scholarship on historical film and women's
cinema.