The twelfth century witnessed the birth of modern Western European
literary tradition: major narrative works appeared in both French and in
German, founding a literary culture independent of the Latin tradition
of the Church and Roman Antiquity. But what gave rise to the sudden
interest in and legitimization of literature in these "vulgar tongues?
Until now, the answer has centred on the somewhat nebulous role of new
female vernacular readers. Powell argues that a different appraisal of
the same evidence offers a window onto something more momentous: not
"women readers" but instead a reading act conceived of as female lies
behind the polysemic identification of women as the audience of new
media in the twelfth century. This woman is at the centre of a
re-conception of Christian knowing, a veritable revolution in the
mediation of knowledge and truth. By following this figure through
detailed readings of key early works, Powell unveils a surprise, a new
poetics of the body meant to embrace the capacities of new audiences and
viewers of medieval literature and visual art.