Between 1937 and 1938, garden designer Christopher Tunnard published a
series of articles in the British Architectural Review that rejected
the prevailing English landscape style. Inspired by the principles of
Modernist art and Japanese aesthetics, Tunnard called for a new
technique in garden design that emphasized an integration of form and
purpose. The functional garden avoids the extremes both of the
sentimental expressionism of the wild garden and the intellectual
classicism of the 'formal' garden, he wrote; it embodies rather a spirit
of rationalism and through an aesthetic and practical ordering of its
units provides a friendly and hospitable milieu for rest and recreation.
Tunnard's magazine pieces were republished in book form as Gardens in
the Modern Landscape in 1938, and a revised second edition was issued a
decade later. Taken together, these articles constituted a manifesto for
the modern garden, its influence evident in the work of such figures as
Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes.
Long out of print, the book is here reissued in a facsimile of the 1948
edition, accompanied by a contextualizing foreword by John Dixon Hunt.
Gardens in the Modern Landscape heralded a sea change in the evolution
of twentieth-century design, and it also anticipated questions of urban
sprawl, historic preservation, and the dynamic between the natural and
built environments. Available once more to students, practitioners, and
connoisseurs, it stands as a historical document and an invitation to
continued innovative thought about landscape architecture.