Galileo's Idol offers a vivid depiction of Galileo's friend, student,
and patron, Gianfrancesco Sagredo (1571-1620). Sagredo's life, which has
never before been studied in depth, brings to light the inextricable
relationship between the production, distribution, and reception of
political information and scientific knowledge.
Nick Wilding uses as wide a variety of sources as possible--paintings,
ornamental woodcuts, epistolary hoaxes, intercepted letters, murder case
files, and others--to challenge the picture of early modern science as
pious, serious, and ecumenical. Through his analysis of the figure of
Sagredo, Wilding offers a fresh perspective on Galileo as well as new
questions and techniques for the study of science. The result is a book
that turns our attention from actors as individuals to shifting
collective subjects, often operating under false identities; from a
world made of sturdy print to one of frail instruments and
mistranscribed manuscripts; from a complacent Europe to an emerging
system of complex geopolitics and globalizing information systems; and
from an epistemology based on the stolid problem of eternal truths to
one generated through and in the service of playful, politically
engaged, and cunning schemes.