This book analyzes the rise of socially and politically engaged Algerian
documentaries, created in the period immediately following the end of
the Algerian civil war (1991-1999). It uses case studies to highlight
the works of four Algerian filmmakers, and devotes a chapter to each:
Malek Bensmaïl, Hassen Ferhani, Djamel Kerkar, and Karim Sayad. The book
makes visible productions that have been overlooked not only in
distribution circuits but also within academia, and examines the
political significance and the esthetic power of some of the most
influential Algerian documentaries produced since the 2000s.