In From Grain to Pixel, Giovanna Fossati analyzes the transition from
analog to digital film and its profound effects on filmmaking and film
archiving. Reflecting on the theoretical conceptualization of the medium
itself, Fossati poses significant questions about the status of physical
film and the practice of its archival preservation, restoration, and
presentation. From Grain to Pixel attempts to bridge the fields of
film archiving and academic research by addressing the discourse on
film's ontology and analyzing how different interpretations of what film
is affect the role and practices of film archives. By proposing a novel
theorization of film archival practice, Fossati aims to stimulate a
renewed dialogue between film scholars and film archivists. Almost a
decade after its first publication, this revised edition covers the
latest developments in the field. Besides a new general introduction, a
new conclusion, and extensive updates to each chapter, a novel
theoretical framework and an additional case study have been included.