Invaluable as a work of reference, in addition to being full of sound
judgments and happy suggestions. -- Jacques Barzun, *MLA Notes
*A distinguished musicologist explores 19th-century French art songs in
this fascinating study of the melodies of Berlioz, Liszt, Bizet,
Saint-Saëns, Franck, Fauré, and others. The songs are described and
analyzed in terms of structure, style, prosody, and melo-harmonic
features. Sensitive evaluations of the melodies include more than 250
musical examples.
Author Frits Noske was the first musicologist to fully trace the origins
and early development of the French art songs known as mélodie. He
discusses the forms from which the genre evolved, intermediary
compositions by Niedermeyer and Monpou, and the effect of Thomas Moore's
Irish Melodies. Additional topics include Berlioz's contribution to
the emerging form, the influence of German song, the special problems of
French-language prosody, and the changing role of the accompaniment.
Music history and voice majors, musicologists, and music enthusiasts of
all ages will appreciate this valuable guide to an unjustly neglected
musical genre.