Steve Langan's brilliant first book is full of passion suffused with
irony, poems cagily built to deconstruct sentimentality by using
self-consciousness as a kind of comic foil. But for all the poet's
clever feints and evasions, at the core of the work beats the heart of a
romantic. Langan's methods are luminously impressionistic, and the poems
percolate with image and materiality, inflection and the full-throated
music of language. Freezing glitters with the distant light (or
explosions of inner light) of a hundred small moments colliding where
perception meets the self in the "unbeautiful city."