Focusing on the vital role of literature in the development of the
artistic practice of Frank Stella (b. 1936), this insightful book looks
at four transformative series of prints made between 1984 and 1999. Each
of these series is named after a literary work--the Had Gadya (a
playful song traditionally sung at the end of the Passover Seder),
Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman
Melville, and The Dictionary of Imaginary Places by Alberto Manguel
and Gianni Guadalupi. This investigation offers a critical new
perspective on Stella: an examination of his interdisciplinary process,
literary approach, and interest in the lessons of art history as crucial
factors for his artistic development as a printmaker. Mitra Abbaspour,
Calvin Brown, and Erica Cooke examine how Stella's dynamic engagement
with literature paralleled the artist's experimentation with
unconventional printmaking techniques and engendered new ways of
representing spatial depth to unleash the narrative potential of
abstract forms.