Critical writings and commentary by the Los Angeles based artist Mike
Kelley.
The work of artist Mike Kelley (b. 1954) embraces performance,
installation, drawing, painting, video, and sculpture. Drawing
distinctively on high art and vernacular traditions, including
historical research, popular culture, and psychology, Kelley came to
prominence in the 1980s with a series of sculptures composed of craft
materials. His recent work offers dialogues with architecture and with
repressed memory syndrome, and a sustained inquiry into his own
aesthetic and social history. The subjects on which Kelley has written
are as varied as his artistic media. They include the work of fellow
artists, sound, caricature, the uncanny, UFOlogy, and gender-bending.
This book offers a diverse collection of Kelley's writings from the last
twenty-five years. It contains major critical texts on art, film, and
the wider culture, including his piece on the aesthetic he calls urban
Gothic. It also contains essays, mostly commissioned for exhibition
catalogs and journals, on the artists and groups David Askevold, Öyvind
Fahlström, Douglas Huebler, John Miller, Survival Research Laboratories,
and Paul Thek, among others. Kelley's voices are passionate, analytic,
and ironic, and his critical intelligence is leavened with touches of
whimsy.