These essays explore the taxonomies and relationships between the
aesthetic forms, styles, and methodologies of detective and crime
fiction in the late-Victorian and Edwardian period. The influences on
the genre's artists are as varied as the era's interests in scientific
method, forensics, archaeology, medicine, and the paranormal. Yet the
formalizing tendencies of the investigative process remain, and this
volume examines the understanding of crime's resolution as a stylistic
imposition of structure on disorder.