Poetically written and originally given as lectures, this is a moving
essay collection from Durs Grünbein.
In his four Lord Weidenfeld Lectures held in Oxford in 2019, German poet
Durs Grünbein dealt with a topic that has occupied his mind ever since
he began to perceive his own position within the past of his nation, his
linguistic community, and his family: How is it possible that history
can determine the individual poetic imagination and segregate it into
private niches? Shouldn't poetry look at the world with its own
sovereign eyes instead?
In the form of a collage or "photosynthesis," in image and text,
Grünbein lets the fundamental opposition between poetic license and
almost overwhelming bondage to history appear in an exemplary way. From
the seeming trifle of a stamp with the portrait of Adolf Hitler, he
moves through the phenomenon of the "Führer's streets" and into the
inferno of aerial warfare. In the end, Grünbein argues that we are faced
with the powerlessness of writing and the realization, valid to this
day, that comes from confronting history. As he muses, "There is
something beyond literature that questions all writing."