Francis Steegmuller's beautifully executed double portrait of Madame
Bovary and her maker is a remarkable and unusual biographical study, a
sensitive and detailed account of how an unpromising young man turns
himself into one of the world's greatest novelists. Steegmuller starts
with the young Flaubert, prone to mysterious fits, hypochondriacal, at
odds with and yet dependent on his bourgeois family. Then, drawing on
Flaubert's voluminous correspondence, Steegmuller tracks his subject
through friendships and love affairs, a trip to the Orient, nervous
breakdown and tenuous recovery, and finally into the study, where a mind
at once restless and jaded finds a focus in the precisely detailed
reality of an imagined woman, utterly ordinary in her unhappiness, whose
story was to revolutionize literature.