This is the first book to provide a comprehensive and systematic account
of the phenomenon of cinematic remaking. Drawing upon recent theories of
genre and intertextuality, Film Remakes describes remaking as both an
elastic concept and a complex situation, one enabled and limited by the
interrelated roles and practices of industry, critics, and audiences.
This approach to remaking is developed across three broad sections: the
first deals with issues of production, including commerce and authors;
the second considers genre, plots, and structures; and the third
investigates issues of reception, including audiences and institutions.