Built around close readings of 11 noir films, this book seeks to refresh
our understanding of "film noir" by returning to the films themselves.
Pushing against totalizing or generalizing approaches, which may have
the unintended effect of flattening out significant distinctions and
differences between individual approaches, Film Noir and the
Possibilities of Hollywood argues for the importance of staying attuned
the varied and variegated formal, aesthetic and thematic strategies at
work in individual films. By focusing on these strategies, the book
invites readers to consider anew the enabling possibilities of Hollywood
filmmaking in the studio era.