Rich in detail, this is a study of the interrelationships between film
historical discourse and archival practices. Exploring the history of
several important collections from the EYE Film Museum in Amsterdam,
Bregt Lameris shows how archival films and collections always carry the
historical traces of selection policies, restoration philosophies, and
exhibition strategies. The result is a compelling argument that film
archives can never be viewed simply as innocent or neutral sources of
film history.