A pioneer in the field, Christian Metz applies insights of structural
linguistics to the language of film.
The semiology of film . . . can be held to date from the publication in
1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou
langage?'--Geoffrey Nowell-Smith, Times Literary Supplement
Modern film theory begins with Metz.--Constance Penley, coeditor of
Camera Obscura
Any consideration of semiology in relation to the particular field
signifying practice of film passes inevitably through a reference to the
work of Christian Metz. . . . The first book to be written in this
field, [Film Language] is important not merely because of this
primacy but also because of the issues it raises . . . issues that have
become crucial to the contemporary argument.--Stephen Heath, Screen