From the dawn of the atomic age, art and popular culture have played an
essential role interpreting nuclear issues to the public and
investigating the implications of nuclear weapons to the future of human
civilization. Political and social forces often seemed paralyzed in
thinking beyond the advent of nuclear weapons and articulating a
creative response to the dilemma posed by this apocalyptic technology.
Art and popular culture are uniquely suited to grapple with the
implications of the bomb and the disruptions in the continuity of
traditional narratives about the human future endemic to the atomic age.
Filling the Hole in the Nuclear Future explores the diversity of visions
evoked in American and Japanese society by the mushroom cloud hanging
over the future of humanity during the last half of the twentieth
century. It presents historical scholarship on art and popular culture
alongside the work of artists responding to the bomb, as well as artists
discussing their own work. From the effect of nuclear testing on sci-fi
movies during the mid-fifties in both the U.S. and Japan, to the
socially engaged visual discussion about power embodied in Japanese
manga, Filling the Hole in the Nuclear Future takes readers into
unexpected territory